Guilty

Back from my school trip. Normandy is one of my favourite places and the weather was stunning: cold and bright with the mist trotting over the gentle valleys each morning. It was, as usual, a fairly exhausting process but I find the Bayeux Tapestry gets more stunning each time I see it, with more ambiguities, more political comment, and more breathtaking action sequences. It helped that the place was empty so for once we could see from a distance, where the cavalry charge sequences look almost cinematic. Some of my charges found pictures of men with their knobs out which I hadn't noticed and was unable to explain unless it was Adam.

I feel as though I need to apologise again to my blogpals for non-appearance at their sites recently. It really is difficult to visit them as often as I'd like because of my dial up and also I'm online a lot less than before, owing to work and a slightly confused home situation (ie I'm in a couple of places). However, I am going to try more to get round.

The title of the post refers really to Engleby by Sebastian Faulks, which I've just finished and which I found less satisfying than his other novels. At times it cannot decide whether it is a murder mystery, a satire or an exploration of consciousness and it ends up being not quite any of them. That's not to say I didn't enjoy it: there is the detail which is characteristic of his work, though it's toned down a bit; there is the Adrian Mole like narrator and the enjoyable hints that the entire thing is made up from much later on (the anachronisms which occasionally creep in, usually from the mouths of other characters). You also sense an author having a lot of fun and letting himself go, whereas his other books feel tightly controlled (especially Human Traces). It's worth a read but you might finish it with a "meh".